In the days that followed, the guy from Boston kept calling me; saying he had people who wanted to invest in the Dennis Hopper film. I set up a meeting between the Executive producer, myself and Mr. Boston.
CUT TO:
THE MEETING - NIGHT
The main producer brings the Director of Photography which made absolutely NO sense to me. We’re all sitting on a veranda, drinking, smoking and talking about the investment potential of this Dennis Hopper film. When the weirdest thing happened -- Mr. Boston gives his money pitch and for the first time in a very long time -- I get this sort of strange tunnel vision effect -- And it hits me -- If Mr. Boston is legit and he can bring some real money into the mix then why the fuck am I gonna utilize him for this crappy little Dennis Hopper film that‘s gonna tank -- when I can potentially use him for my XXX company idea. The guys who were pitching the Dennis Hopper film were wonderfully unimpressive and easily forgotten and this made me very happy -- because I was going to steer this Mr. Boston guy directly into the seedy and tumultuous world of XXX movie making.
CUT TO:
THE MEETING - NIGHT
The main producer brings the Director of Photography which made absolutely NO sense to me. We’re all sitting on a veranda, drinking, smoking and talking about the investment potential of this Dennis Hopper film. When the weirdest thing happened -- Mr. Boston gives his money pitch and for the first time in a very long time -- I get this sort of strange tunnel vision effect -- And it hits me -- If Mr. Boston is legit and he can bring some real money into the mix then why the fuck am I gonna utilize him for this crappy little Dennis Hopper film that‘s gonna tank -- when I can potentially use him for my XXX company idea. The guys who were pitching the Dennis Hopper film were wonderfully unimpressive and easily forgotten and this made me very happy -- because I was going to steer this Mr. Boston guy directly into the seedy and tumultuous world of XXX movie making.
FADE OUT:
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